Information
Jason Steffan
-
- Jason Steffan
© Doren Sorell Photography
Jason Steffan
- Occupational group
- Actor
- Acting age
- 41 - 50 Years
- Height
- 179 cm
- Place of residence
- Berlin
- Accommodation
- Berlin / Potsdam | Munich | Los Angeles | New York
- Steuerlicher Wohnsitz
- Berlin
- Language(s)
- German (fluent) | English (Native language) | French (Basic skills)
- Pitch of voice
- Tenor
- Musical instruments
- keyboard | piano
- Singing
- musical | pop
- Sports
- beach volleyball | mountain hiking | bodyboard | stage fight | fencing | soccer | inline skating | mountain bike | cycling | lifeguard | sword combat | swimming sports | cross-country skiing | stand up paddling | tennis | table tennis | triathlon | volleyball | hiking | surfing | windsurfing
- Driving licence
- B - Car
- Special features
- bartender | bilingual | composition | model | musical performer | lifesaving | SAG-AFTRA | singer-songwriter
- Hair colour
- brown/brunette
- Eye colour
- brown
- Figure / Build
- athletic / sporty
- Nationality
- The United States
- grew up in
- California, USA
- Jason Steffan
Contact
MPA Actors Management
Carmen Kilka
Kranichweg 20
81827 München
fon +49 (0)89 - 810 599 11
fax +49 (0)89 - 891 378 94
info@actors-management.com
Carmen Kilka
Kranichweg 20
81827 München
fon +49 (0)89 - 810 599 11
fax +49 (0)89 - 891 378 94
info@actors-management.com
- Homepage:
- jasonsteffan.com
- filmmakers direct link:
- filmmakers.de/jason-steffan
CV
| from | to | Production | Role | Director | Casting Director | Channel | |
|---|---|---|---|---|---|---|---|
| 2014 | BIG GAME | Dexter | Big Game Germany GmbH | ||||
| 2013 | DALANGO | Spotlight Verlag | |||||
| 2011 | MÜNCHEN ’72 | Teamworx Bavaria | |||||
| 2010 | WINNOW | Independent Feature | |||||
| 2010 | UNDERCOVER AGENT | HFF | |||||
| 2010 | DER TRÄUMER | HFF | |||||
| 2009 | THE REBIRTH OF TEUTONIC LOBSTER (deutschspr. rolle) | Happy Few Productions, Inc | |||||
| 2008 | MY LIFE AS ABRAHAM LINCOLN | Sabermantoo Productions | |||||
| 2007 | BERT SHEPARD, THE DREAM...(deutschsprachige episodenrolle) | Nash Entertainment/Red Line Films | |||||
| 2006 | THE BASEMENT | A. Wolf Productions | |||||
| 2005 | VIOLET IS NOT DEAD | Independent Feature | |||||
| 2004 | SEX AND THE CITY (episodenrolle) | HBO Productions | |||||
| 2003 | TWO-STORY HOUSE | New York Film Academy Thesis Film | |||||
| 2001 | END CREDITS | Columbia University Thesis Film | |||||
| 2001 | LAST RESORT | Lost Shell Productions | |||||
| 2000 | IRISH FAIRY TALE | NYU Thesis Film |
| from | to | Play | Role | Director | Casting Director | Theatre | |
|---|---|---|---|---|---|---|---|
| 1998 | THE WINTER'S TALE | Polixenes | John Gielgud Theatre, RADA | ||||
| 1990 | PACIFIC OVERTURES (mit George Champion) | Commodore Perry | Santa Barbara Theatre Group | ||||
| 1989 | OTHELLO | Cassio | Girvetz Theater, Santa Barbara | ||||
| 1989 | GEORGE M! (mit Al Lantieri) | Hank/Actor | Santa Barbara Theatre Group | ||||
| 1989 | NIGHT OF JANUARY 16th | Attorney Flint | Santa Barbara Theatre Group | ||||
| 1989 | MAN OF LA MANCHA (mit Darrell Sandeen) | Tenorio/Barber | Santa Barbara Civic Light Opera | ||||
| 1989 | THE LOVER | Richard/Max | Studio Theatre, Santa Barbara | ||||
| 1988 | EQUUS | Alan Strang | Santa Barbara Theatre Group | ||||
| 1988 | NOISES OFF | Tim | Harkman Theatre, Honolulu | ||||
| 1988 | A MIDSUMMER NIGHT'S DREAM | Lysander | Harkman Theatre, Honolulu | ||||
| 1988 | DO BLACK PATENT LEATHER..... | Mike Depki | Bakken Theatre, Honolulu | ||||
| 1987 | VOLL AUF DER ROLLE (deutschprachige produktion) | Jürgen | Theodor-Heuss Festspiele | ||||
| 1987 | DIE PHYSIKER (deutschsprachige produktion) | Möbius | UH-Manoa, Honolulu |
| from | to | ||||
|---|---|---|---|---|---|
| 1986 | 1988 | Mid Pacific School of the Arts | |||
| 1988 | 1990 | Santa Barbara College | |||
| 1990 | 1992 | American Musical and Dramatic Academy New York | |||
| 1998 | Royal Academy of Dramatic Art London | ||||
| 2006 | heute | Bova Actors Workshop- Eric Morris Method New York | |||
Best Actor Award - for Santa Barbara Theatre Group
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