from | to | Play | Role | Director | Casting Director | Theatre | |
---|---|---|---|---|---|---|---|
2019 | Die Chorprobe | Heinz Koch | Johannes Hallervorden | Schlosspark Theater Berlin | |||
2017 | 2019 | Ein gewisser Charles Spencer Chaplin | Al Reeves | Rüdiger Wandel | Schlosspark Theater Berlin | ||
2015 | Und alles auf Krankenschein | Sergeant Tom Connolly | Anatol Preissler | Schlosspark Theater Berlin | |||
2012 | 2014 | Der satanarchäolügenailkohöllische Wunschpunsch | Belzebub Irrwitzwer | Peter Kube | Hans-Otto-Theater Potsdam | ||
1996 | 2014 | Eins auf die Fresse | Ratzenauer, Erbach | Rüdiger Wandel | Grips-Theater Berlin | ||
1989 | 2014 | Ab heute heißt Du Sara | Kremp, Max Blumenthal u.a | Uwe Jens Jensen | Grips-Theater Berlin | ||
1986 | 2014 | Linie 1 | Wilmersdorfer Witwe, Johnnie, Mondo u.a. | Wolfgang Kolneder | Grips-Theater Berlin | ||
2013 | König Drosselbart | König Matthäus u. a. | Kerstin Kusch | Hans-Otto-Theater Potsdam | |||
2011 | Pünktchen und Anton | Frank Panhans | Grips-Theater | ||||
2009 | Linie 2 | Thaifun, Thorsten, Chris u.a. | Rüdiger Wandel | ||||
2009 | Max und Milli | Rüdiger Wandel | Grips-Theater | ||||
2008 | Rosa | Franz Mehring | Ignaz Auer, Franziska Steiof | Grips-Theater | |||
2007 | Wehr Dich Mathilda | Rüdiger Wandel | Grips-Theater | ||||
2007 | Prima Klima | Gessler | Dietrich Lehmann | Grips-Theater | |||
2006 | Cengiz und Locke | Tadi, Ulrich | Frank Panhans | Grips-Theater | |||
2006 | Marstraining | Tchako | Rüdiger Wandel | Grips-Theater | |||
2006 | Schöne Neue Welt | Joker Joe, Ranger u.a. | Matthias Davids | Grips-Theater | |||
2005 | Bella, Boss und Bulli | Harke, Herr Beck | Thomas Ahrens | Grips-Theater | |||
2003 | KLASSE DER BESTEN | Adam | Adam | Grips-Theater | |||
2003 | Klasse der Besten | Adam | Adam | Grips-Theater | |||
2003 | Baden gehen | Ergün, Bademeister | Franziska Steiof | Grips-Theater | |||
2001 | Hallo Nazi | Erich | Frank Panhans | Grips-Theater | |||
2001 | Heile heile Segen | Schocker | Dietrich Lehmann | Grips-Theater | |||
2000 | Melodys Ring | Murat u.a. | Rüdiger Wandel | Grips-Theater | |||
2000 | David und Lisa | Dahlberg | Franziska Steiof | Grips-Theater | |||
1999 | Marie | Thorsten | Ulla Theißen | Grips-Theater | |||
1998 | Alles Gute | Barry Kowalski | Dietrich Lehmann | Grips-Theater | |||
1998 | West Side Story | Chino | Kerstin Heidel-Polenske | Staatstheater Cottbus | |||
1998 | Der aufhaltsame Aufstieg des Arturo Ui | Dogsborough | Volker Metzler | Staatsschauspiel Dresden | |||
1997 | Café Mitte | Schnuffi, Krusche u.a. | Rüdiger Wandel | Grips-Theater | |||
1996 | Eins auf die Fresse | Lucky | Rüdiger Wandel | Grips-Theater | |||
1996 | Die Venezianischen Zwillinge | Dottore | Manuel Soubeyrand | Sommertheater | HfMT Leipzig | |||
1996 | Auf Hoher See | Der Dicke Martin Nimz | Stadttheater Chemnitz | ||||
1995 | Maria Magdalena | Leonhard | Michael Thalheimer | Studio Chemnitz | |||
1980 | Eine linke Geschichte | Ronnie, Ludolf u.a. | Wolfgang Kolneder |
from | to | ||||
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1994 | 1998 | Hochschule für Musik und Theater, "Felix Mendelssohn Bartholdy" Leipzig | |||
Special features (selection) | |||||
<b>THEATERENGAGEMENTS:</b> Schlosspark-Theater Berlin Hans-Otto-Theater Potsdam Grips-Theater Berlin Staatstheater Cottbus Staatsschauspiel Dresden Staatstheater Meiningen <b>PREISE/AUSZEICHNUNGEN:</b> <b>2010</b> Friedrich-Luft-Preis | Beste Inszenierung | „Linie 2“ <b>2007</b> Deutscher Theater Preis „Faust“ | Beste Regie | „Cengiz und Locke“ <b>1996</b> Friedrich-Luft-Preis | Beste Inszenierung | „Eins auf die Fresse“ <b>RADIO/SPRECHER</b> Diverse Clips | Andreas Ersson | Radio 94,3 rs 2 Der Lindbergflug | Kerstin Behnke | Filmorchester Babelsberg/Berliner Philharmonie live diverse voice-over | diverse | EOR Mediastudio Chemnitz |
I am a child of the 1968 movement. At least I was born in that year. Growing up in Suhl, Thuringia, in a country that rarely provided us with bananas, but plenty of Bratwurst and dumplings.
The end of the world was just a few of kilometers away. They called it border frontier and one would have been able to fly in order too see what is behind. Therefore, maybe, I always wanted to be a cosmonaut, or at least a helicopter pilot. I wanted to be up in the air. At first though, I stayed down to earth and wanted to study medicine. I graduated from high school and had to join the national „Volksarmee“ in the GDR for three years.
But then, everything turned out completely different. An important man misspoke. The people took him by his word and believed he had promised them freedom, and suddenly, the Berlin Wall was gone. There was no end of the world anymore. Before the man recognizes his mistake, I thought to myself, I will have to fulfill my dream of flying. I went to a travel agency and chose the furthest destination possible: Miami, Florida sounded great. Finally: I get to fly!
Somehow, my goal of becoming a doctor had vanished. Instead, I became a male nurse and started to act at theaters. To be on stage, or, even better, in front of the camera.
To slip into any role. To do things that could bring any private person into jail or at least into psychiatric ward. All of these these things feel like flying to me. Entirely without helicopters or rockets.